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ItemThe brass section of the Sydney Symphony Orchestra : a survey of the most significant players from 1927 to 1986Montz, Richard Dennis (University of Sydney, 1986)This chronological essay is being written to identify the men and women who have made a significant contribution to the brass section of the Sydney Symphony Orchestra (SSO) from its small beginnings in1932, as a part of the fifteen member broadcasting orchestra for 2FC and 2BL, to the major international orchestra of 1986. The period 1946-1986 will be the main thrust of this history. Nineteen forty-six is the year the Sydney Symphony Orchestra first performed as a permanent body for the Australian Broadcasting Commission in the Sydney Town Hall under the baton of Percy Code.
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ItemStahl und Eisen(Verlag Stahleisen, 2020- (select issues))Trade journal for the manufacture and processing of iron and steel
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ItemReport / Department of Community Development(Northern Territory. Department of Community Development, 1980)
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ItemSeaweeds of AustraliaFuhrer, Bruce A. ; Christianson, I. G. ; Clayton, M. N. ; Allender, B. M. (Reed Books; Sydney, 1981)
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ItemTo enter the dream which includes all dreams : four settings of texts by Chris Wallace-Crabbe, for choir (SATB) and piano, 2000/2002Kouvaras, Linda Ioanna (Australian Music Centre, 2020)
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ItemOriginal choreographic notes for NutiTankard, Meryl (National Library of Australia, 1990)Nuti, choreographed by Meryl Tankard, with visual projections by Regis Lansac and music by Colin Offord, premiered in Canberra at the National Gallery of Australia on 30 March 1990. Performed by members of the Meryl Tankard Company Nuti was presented in conjunction with the Gallery's exhibition Civilization: Ancient Treasures from the British Museum and drew on the Egyptian elements in that exhibition. The work was an exploration of opposite forces - light and dark, life and death, creation and destruction. Tankard later restaged Nuti for her Meryl Tankard Australian Dance Theatre and, since its creation, the work has been widely performed in various venues in Australia, Asia and elsewhere. Original cast: Alison Brazier, Carmela Care, Paige Gordon, Roz Hervey, Leisa Shelton.
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ItemNuti: [large production book of Nuti]Tankard, Meryl (Choreographer) ; Offord, Colin (Composer) ; Gould, Gigi (Choreologist) (National Library of Australia, 1990)Nuti, choreographed by Meryl Tankard, with visual projections by Regis Lansac and music by Colin Offord, premiered in Canberra at the National Gallery of Australia on 30 March 1990. Performed by members of the Meryl Tankard Company Nuti was presented in conjunction with the Gallery's exhibition Civilization: Ancient Treasures from the British Museum and drew on the Egyptian elements in that exhibition. The work was an exploration of opposite forces - light and dark, life and death, creation and destruction. Tankard later restaged Nuti for her Meryl Tankard Australian Dance Theatre and, since its creation, the work has been widely performed in various venues in Australia, Asia and elsewhere. Original cast: Alison Brazier, Carmela Care, Paige Gordon, Roz Hervey, Leisa Shelton.
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ItemGrammaire descriptive du pólrì : éléments de phonologie, morphologie et syntaxeWéga Simeu, Abraham (Rüdiger Köppe Verlag, 2016)Pólrì is spoken in Cameroon in the East Region, or more precisely in the departments of Haut-Nyong (in the communes of Doumé & Dimako) and Lomet-Djérem (in the commune of Bélabo). The speakers of Pólrì are called Pól and are estimated at around 44 000 persons (Grimes, 2000). Pólrì belongs to the Bantu languages of the Zone A by Guthrie (A.93) and is in transition with the group of the Kako languages. The work describes linguistic elements of Pólrì and analyses phonological, morphological and syntactical structures. The classification of Pólrì as a Bantu language often caused contradictions, since it's at the frontier of Bantu languages of Zone A or Northwest Bantu languages and Ubangian languages. Pólrì reveals many particularities and innovations compared to other Bantu languages of Zone A. The study contains several fields of interest, where the structure and the internal organisation of Pólrì is analysed initially. Moreover, there is a scientific contribution that should lead to a better knowledge of the Northwest Bantu branch. In addition, the work contains necessary and essential elements of a didactic manual with the objective to teach children Pólrì and to alphabetise its speakers. For the analyses, the author uses the structural method, i.e. the analysis is both descriptive and explicative. First of all, this concerns a synchronic analyse, but in light of the complexity of the data, the author also respects the diachronic explanations. This work is one of the first descriptive grammars of the language Pólrì, since it combines phonological as well as morphological and syntactical aspects. To sum it all up, the book brings innovations and re-developments in the field of knowledge of the Bantu languages.
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ItemNo Preview AvailableReview of Australian fiction(Review of Australian Fiction - Zutiste Pty Ltd, 2012-2017)From 2012 – 2017 Review of Australian Fiction digitally published two stories every two weeks from Australia’s leading authors. The works covered a wide variety of genres including literary and speculative fiction, Young Adult to fantasy, crime to historical fiction. These stories ranged in length from 2,000 – 20,000 words and are suitable for readers 18 – 60 years old, across a range of educational backgrounds.
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ItemGuidelines for the management of IT evidence: Handbook: HB 171-2003Standards Australia International (Standards Australia International Ltd., 2003)